Dave Grusin Discovered Again Sheffield Lab Flac Torrent

Dave Grusin, Ron Carter, Lee Ritenour, Harvey Mason, Larry Bunker. LIM XR 002.

What do you hateful, it'due south not classical music? Information technology'southward jazz, and jazz is always archetype. Peculiarly when it'south done past American composer, arranger, and pianist Dave Grusin. Besides, Grusin has not merely written and bundled songs and soundtracks for Oscar-winning films like The Graduate and Tootsie and won an Oscar for The Milagro Beanfield War, he's done crossover albums of classical music too. With credits for over a hundred films and a multitude of record albums, the guy is a class act all the way effectually.

Dave Grusin: Discovered Over again is a 1976 recording remastered to audiophile standards on meaty disc past producer Winston Ma'due south label, LIM (Lasting Impression Music). The matter is, it was an audiophile LP to begin with, a directly-to-disc production made originally by Sheffield Lab. The idea back then was to record a music session straight to the primary lacquer, from which the visitor would strike a express number of vinyl LPs, with no tape principal involved. The dynamic range and impact of those straight discs provided a striking realism when played back on a practiced stereo system, probably as close to the live functioning as one could get in the domicile. Merely they were also expensive and evidently appealed just to a small number of howdy-fi buffs effectually the land. Eventually, CD's overcame vinyl in the marketplace, and Sheffield found it hard to continue with a diminishing fan base of operations.

I call back reviewing all of Sheffield's direct discs back in the Seventies and early Eighties and loving them dearly. I likewise remember being disappointed when Sheffield began releasing their tape backups on CD; they never sounded as dynamic as their vinyl counterparts. So when LIM decided to give the tapes another shot on compact disc, this time in the XRCD procedure, I thought it was near time to revisit this great old album.

Joining Grusin on a Steinway piano and Fender Rhodes electric pianoforte are Ron Carter, bass; Lee Ritenour, guitar; Harvey Mason, drums; and Larry Bunker, percussion. They brand a tidy, well-knit ensemble.

The plan begins with "A Kid Is Born," serenity, soft, with fine bass playing, a clear, taut pianoforte sound, and merely a hint of percussive support. "Keep Your Eye on the Sparrow" comes next, probably the most well-known work on the album considering of its utilise in the one-time Baretta Tv set serial. Information technology's a faster, more up-tempo piece than the preceding runway, with firm bass thumps, excellent, extended highs, and superclean transient response. "Lord's day Vocal" features superb piano and percussion sound, and it'due south ane of Grusin'south sweeter melodies, edifice as it goes forth. And then, there's "Helm Bacardi," a sambo from Antonio Carlos Jobim, amidst the most-exciting music on the disc, performed joyfully by the players. It makes for the kind of demo material audiophiles are then fond of using to print friends and neighbors.

Next come up three cowboy songs: "Git Along Little Doggies," "The Colorado Trail," and "Cripple Creek Breakdown," making a terrific fix of variations on the familiar tunes. The original album concluded with "Adeus A Papai," a piece Grusin wrote as a farewell to his male parent. Hither, in add-on, because the CD allows more infinite than the LP did, we get iv previously unreleased alternative takes: "Keep Your Centre on the Sparrow," which I actually like better than the one from the directly disc for its being cleaner and more spontaneous; "Dominicus Song," "Git Along Piddling Doggies," and "The Colorado Trail."

In the JVC XRCD24 procedure, "the analog indicate is taken directly from the custom mastering console and digitized via JVC's K2 24-bit Analogue-to-Digital Converter. The 24-bit digital word so passes through JVC's Digital K2, which regenerates a pure 24-bit digital signal that is recorded to a Sony PCD-9000 magneto-optical disk. The XRCD process takes advantage of the stability of the magneto-optical disk, every bit well every bit its 24-fleck capacity by using it as the audio storage medium for delivery to manufacturing." From there, the JVC factory plays back the 24-bit signal through the Digital K2 to eliminate whatever jitter and distortion and so converts the 24-chip point to 16 bits using K2 Super Coding, "which ensures true 16-fleck dynamic range. The sixteen-fleck indicate is then EFM encoded, and sent to a loftier-precision DVD K2 Laser," with "Extended Pit Cutting engineering science." And and then on, with the use of a K2 Rubidium Clock and a special Master Stamper. It's a demanding process that obviously yields the best possible results.

So, in the last analysis, does this 24-bit super-analog remastering sound better than Sheffield's one-time directly-to-disc vinyl LP? No. LIM made this CD, subsequently all, from tape backups, not from the original lacquer master. It doesn't have quite the dynamic punch of the quondam LP. However, the expert news is that this XRCD24 sounds meliorate than annihilation Sheffield ever put on CD and as adept as annihilation you can buy on compact disc from any manufacturer. While the recording is a touch dry, with only a moderate perception of depth among the five players, these were always minor concerns of the original Sheffield production. Nevertheless, the transient quickness is superb for a meaty disc, the dynamic range is wide, the bass is taut, and the clarity is outstanding. Moreover, for the listener interested primarily in the music, with the XRCD24 y'all don't have to put up with the ticks and pops of a vinyl LP. Put this release in the compact-disc audiophile class and have fun with the sound, the music, and the performances.

For more data about LIM (Lasting Impression Music) and FIM (First Impression Music), you can visit their Web site at http://www.firstimpressionmusic.com/.

JJP

kennedytoret1964.blogspot.com

Source: https://classicalcandor.blogspot.com/2011/07/dave-grusin-discovered-again-xrcd24.html

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